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#Bonbon horror game skin#
You might wince at the deafening foley work when knife meets skin and bone, or at the sound of thuddingly dumb dialogue emanating from teenagers and adults alike. You might gasp at the shedding of barbecue-sauce-looking blood, but more likely at the ludicrous sight of Michael communing with blinding visions of his dead mother next to a white horse. Zombie’s follow-up to his own 2007 reboot of the aging slasher series - which now follows massacre survivor Laurie Strode (Scout Taylor-Compton) through an all-too-brief recovery before you know who returns - is an unshackling of sorts for this tedious sadism purveyor who raised a few eyebrows from aficionados with the last film by delving into the “why? WHY?” of psychotic mask-wearer Michael Myers (Tyler Mane).įreed from remaking a sequel - because who’d do over 1981’s limp “Halloween II”? - Zombie’s continuation doubles down on the mayhem, psychological pap, hillbilly misogyny and overwrought moral outrage so that there’s truly nowhere to hide. In writer-director Rob Zombie’s pile-it-on ethos, murder scenes that already incite deja vu now feel as if they contain one more scream, one more angry downswing of the knife, one more pulpy stomp on a head, one more pounding of a naked woman’s face against a mirror and one more lingering shot of carnage. They can put all the numbers they want after the titles of these horror franchises, but a better name for “Halloween II” might be “One More Halloween.”